Deze serie biedt een unieke en humoristische herinterpretatie van klassieke verhalen, waarin bekende vertellingen botsen met absurde komedie en onverwachte wendingen. De auteur deconstrueert de literaire canon met ongelooflijke creativiteit en durf, zonder bang te zijn voor provocerende thema's en woordspelingen. Elk deel presenteert een originele kijk op bekende personages en situaties, gekruid met Rabelaisiaanse humor en een vleugje ongeremde fantasie. Lezers die scherpe humor en een onconventionele benadering van literatuur waarderen, zullen hier veel plezier aan beleven.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!' So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams. Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
New York Times bestselling author Christopher Moore channels William
Shakespeare and Edgar Allan Poe in The Serpent of Venice, a satiric Venetian
gothic that brings back the Pocket of Dog Snogging, the eponymous hero of
Fool, along with his sidekick, Drool, and pet monkey, Jeff. Venice, a long
time ago.
Set adrift by his pirate crew, Pocket of Dog Snogging--last seen in The Serpent of Venice--washes up on the sun-bleached shores of Greece, where he hopes to dazzle the Duke with his comedic brilliance and become his trusted fool. But the island is in turmoil. Egeus, the Duke's minister, is furious that his daughter Hermia is determined to marry Demetrius, instead of Lysander, the man he has chosen for her. The Duke decrees that if, by the time of the wedding, Hermia still refuses to marry Lysander, she shall be executed . . . or consigned to a nunnery. Pocket, being Pocket, cannot help but point out that this decree is complete bollocks, and that the Duke is an egregious weasel for having even suggested it. Irritated by the fool's impudence, the Duke orders his death. With the Duke's guards in pursuit, Pocket makes a daring escape. He soon stumbles into the wooded realm of the fairy king Oberon, who, as luck would have it, IS short a fool. His jester Robin Goodfellow--the mischievous sprite better known as Puck--was found dead. Murdered. Oberon makes Pocket an offer he can't refuse: he will make Pocket his fool and have his death sentence lifted if Pocket finds out who killed Robin Goodfellow. But as anyone who is even vaguely aware of the Bard's most performed play ever will know, nearly every character has a motive for wanting the mischievous sprite dead. With too many suspects and too little time, Pocket must work his own kind of magic to find the truth, save his neck, and ensure that all ends well
